![]() Ashley, for her part, has mother issues and is prone to sleepwalking, leading to one disastrous nocturnal incident involving Gordon’s bedside cabinet. Gordon’s full name, we learn, is Gordon Crapp he tends to forget about important bills, and his 40-something body is falling into dishevelment. A combination of extortionate vet bills and a fusspot landlord obliges the pair to cohabit, while also establishing a parallel between the dog’s gradual return to fitness and its keepers’ fresh (if painfully tentative) romantic start. She, with not uncharacteristic impulsiveness, flashes a breast by way of thanks Gordon, who has been single for some time, is so distracted he promptly runs over and badly injures the pooch. ![]() While driving through Sydney’s hipster suburbs, microbrewer Gordon (Patrick Brammall) stops to let student nurse Ashley (Harriet Dyer) cross the road in front of him. Such a match demands not a meet-cute but a full-on comedy of errors. One early indicator of the determinedly perverse course the show plots through modern love is that “Colin From Accounts” thereby sticks itself with perhaps the least appealing title in 21st century television. ![]() Again, we watch – sometimes through fingers – as frazzled folk inch awkwardly towards intimacy, only this time they’re united not by accidental pregnancy, but the stray dog that lends the show its name. ![]()
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